馬良&黎曉亮雙個展|戀戀風塵與游獵的光
儀式的黃昏:馬良&黎曉亮雙個展
Twilight of the Ritual: Maleonn&Li Xiaoliang
展期:2024年04月12日-2024年08月11日
藝術(shù)家:馬良、黎曉亮
策展人:魯明軍
展覽統(tǒng)籌 :徐天儀
地址:昊美術(shù)館(上海)一樓,上海市浦東新區(qū)祖沖之路2277弄1號
主辦:昊美術(shù)館
贊助:適馬、上海宏信藝術(shù)基金
昊美術(shù)館榮幸宣布將于2024年4月12日起,呈現(xiàn)馬良與黎曉亮的合作展覽“儀式的黃昏”。展覽將以兩個獨立的個展分別呈現(xiàn)“馬良:戀戀風塵”和“黎曉亮:游獵的光”。本次展覽由魯明軍擔任策展人。
自攝影誕生起,無論于拍攝者,還是于被拍者而言,它都是一個儀式。就像巴特所說的:“照片總是攜帶著自己的拍攝對象,兩者遭遇一樣,都陷入了固定不動之中。”直至移動互聯(lián)網(wǎng)和智能手機出現(xiàn)并普及,隨著人人都成為攝影師,并隨時隨地都可以拍攝,作為儀式的攝影和照相館則逐漸淡出了人們的視野,拍攝者與被拍者的關(guān)系也隨之出現(xiàn)了松動、甚至解體。然而,這并不意味著智能手機取代了攝影機,相反,傳統(tǒng)的膠片(包括部分數(shù)碼)攝影更加突顯出它獨特的同一性和儀式感。馬良和黎曉亮都是“攝影原教旨主義者”,實踐證明,他們與其說是在迷戀一種久違的質(zhì)感和美學,不如說是在守護一種已趨黃昏的關(guān)系和儀式。也或許因此,他們的照片總是帶著一絲傷感和憂郁。
“馬良:戀戀風塵”將呈現(xiàn)馬良在過去十多年間包括“移動照相館”、“青梅竹馬照相館”和“這個世界會好嗎”等四個系列的創(chuàng)作。馬良自幼受戲劇家父母的影響,在他的作品中,有刻意營造的戲劇感和沖突感,而更多的是他對于時間、生命的思考。正應(yīng)了那句歌詞“當歲月和美麗已成風塵中的嘆息,你感傷的眼里,有舊時的淚滴?!?/p>
“黎曉亮:游獵的光”將呈現(xiàn)黎曉亮近兩年包括影像、裝置和攝影在內(nèi)兩個系列的70余件作品。在過去的十多年間,黎曉亮將鏡頭聚焦到具有持續(xù)性議題的熒幕形象;近兩年的創(chuàng)作中,他探討多種主題的另一面,在不同國家不同自然環(huán)境下的“游獵”中表達更為個體的敘事。本次展出的“融化的蠟”系列作品,在黑白紅的對比間,用純粹的意境詮釋內(nèi)心思緒。
本次展覽將展出至2024年8月11日!
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Twilight of the Ritual: Maleonn&Li Xiaoliang
Duration: 2024.04.12-2024.08.11
Artist: Maleonn, Li Xiaoliang
Curator: Lu Mingjun
Co-ordination: Xu Tianyi
Venue: HOW Art Museum 1F, Lane 2277, Zuchongzhi Road Shanghai
Organizer: HOW Art Museum
Sponsor: SIGMA, Shanghai Horizon Art Foundation
HOW Art Museum is pleased to announce that the collaborative exhibition Twilight of the Ritual will be on view from April 12, 2024, featuring the works of Maleonn and Li Xiaoliang. The exhibition showcases two independent solo exhibitions, respectively Nostalgia of the Mundane and The Light of Safaring. The exhibition is curated by Lu Mingjun.
Since the birth of photography, it has been taken as ritual for both the photographer and the subject. As Barthes put it, "the photograph belongs to that class of laminated objects whose two leaves cannot be separated without destroying them both." Until the emergence and popularization of mobile internet and smartphones, when everyone could take pictures anytime, anywhere and thus "became a photographer", the ritualistic aspect of photography and the concept of photography studios gradually faded from the public. As a result, the relationship between the photographer and the subject irresistably loosened, yet even disintegrated. However, this does not necessarily mean that smartphones have taken place of cameras. On the contrary, traditional film photography (including digital pieces) highlights the unique unity and concept of ritual even more. Maleonn and Li Xiaoliang are both "photographic fundamentalist". Their practices have proven that rather than being enamored with a long-lost texture or aesthetic, they are guarding a certain relationship regarding ritual that has already faded. Perhaps for this reason, their photos are always enveloped in melancholy and sentiment.
Nostalgia of the Mundane presents Maleonn’s creations over the past decade, including four series such as Mobile Photo Studio, Childhood Sweetheart Photo Studio, and Will This World Become Better. Influenced by his parents, who were playwrights, Maleonn deliberately created a sense of drama and conflict in his works, reflecting his contemplation on time and life, which resonates with the lyric, "when the years and beauty have already become sighs in the dust and wind, your sorrowful eyes hold teardrops from the old days."
The Light of Safaring showcases over 70 works from Li Xiaoliang's recent two series, including videos, installations and photography. Over the past decade, Li Xiaoliang has been focusing on screen images with persistent thematic concerns. In his recent works, he explores the other side of various themes, expressing more individual narratives through "safaring" in various natural environments in different countries. The Melting Wax series exhibited in this show interprets inner thoughts through pure imagery, amidst the contrast of black, white and red.
The exhibition will last till August 11, 2024.
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