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科技與藝術(shù)的碰撞：2024國(guó)際即興編程大會(huì)

來(lái)源：家居百科時(shí)間：2024年06月12日 15:12

上海，5月31日 —— 2024年國(guó)際即興編程大會(huì)（ICLC）公共音樂(lè)會(huì)在上海的心臟地帶——?jiǎng)P迪拉克·上海音樂(lè)廳盛大開(kāi)幕。在眾多熱情觀眾的期待中，數(shù)百名幸運(yùn)兒獲得了首次體驗(yàn)即興編程這一前沿藝術(shù)的機(jī)會(huì)。

隨著燈光的漸暗，舞臺(tái)上并未出現(xiàn)傳統(tǒng)意義上的樂(lè)器或演奏者，取而代之的是幾位全神貫注于電腦編程的程序員。他們通過(guò)精心編寫(xiě)的代碼，結(jié)合生成式人工智能和模塊化合成器等尖端技術(shù)，實(shí)時(shí)創(chuàng)造出一場(chǎng)視聽(tīng)雙重盛宴，令觀眾耳目一新。

圖：澳大利亞藝術(shù)家程序員Ben Swift與巴塞羅那視覺(jué)藝術(shù)家LXT和Beverley Edwards首次合作，在上海音樂(lè)廳的表演

音樂(lè)會(huì)的高潮部分由韓國(guó)女性藝術(shù)家Dahee Park帶來(lái)的即興編程鼓點(diǎn)，她從零開(kāi)始編程，展現(xiàn)了國(guó)際視角和創(chuàng)新技術(shù)的獨(dú)特魅力，令現(xiàn)場(chǎng)觀眾驚嘆不已，直呼“太酷了！”

圖：韓國(guó)藝術(shù)家Dahee Park在上海音樂(lè)廳的表演

此前一天，即興編程大會(huì)在上海紐約大學(xué)大禮堂舉行了開(kāi)幕式，標(biāo)志著這一國(guó)際會(huì)議首次登陸亞洲。即興編程是一種在代碼運(yùn)行中進(jìn)行修改，以實(shí)現(xiàn)現(xiàn)場(chǎng)視聽(tīng)反饋和觀眾互動(dòng)的創(chuàng)作方式。自2003年以來(lái)，這一領(lǐng)域已經(jīng)吸引了一個(gè)日益壯大的國(guó)際社群，他們不斷探索將表演藝術(shù)與交互式編程相結(jié)合的創(chuàng)作方式。

圖：藝術(shù)家IIze Briede & Hryso表演即興編程（MOT Studio）

國(guó)際即興編程大會(huì)自2015年起在英國(guó)、加拿大、墨西哥和荷蘭等地舉辦，致力于研究和實(shí)踐將計(jì)算機(jī)代碼作為現(xiàn)場(chǎng)表演要素的相關(guān)技術(shù)和理念。大會(huì)匯聚了來(lái)自全球的技術(shù)、哲學(xué)、教育、治理等多元領(lǐng)域的專家，共同探討這一創(chuàng)新藝術(shù)形式。

圖：主辦方負(fù)責(zé)人Eric Parren和Gottfried Haider開(kāi)幕致辭

為何選擇在上海舉辦這一盛會(huì)？主辦方上海紐約大學(xué)助理教授Eric Parren和Gottfried Haider表示：“上海一直是前沿技術(shù)和多元?jiǎng)?chuàng)意的國(guó)際大熔爐。我們很想了解即興編碼在中國(guó)及周邊國(guó)家的發(fā)展?fàn)顩r。我們的另一個(gè)目標(biāo)也是將這種新穎的藝術(shù)形式介紹給上海充滿活力的本地社區(qū)”。

經(jīng)過(guò)一年的精心籌備，大會(huì)主辦方聯(lián)合65位專業(yè)國(guó)際評(píng)委會(huì)，從來(lái)自23個(gè)國(guó)家的82位申請(qǐng)者中遴選出30多個(gè)會(huì)議環(huán)節(jié)，包括演講、論文報(bào)告、工作坊、音樂(lè)會(huì)和算法銳舞等多種形式。其中，備受贊譽(yù)的墨西哥藝術(shù)家伊萬(wàn)·阿布魯（Ivan Abreu）和CNDSD不遠(yuǎn)萬(wàn)里特地親臨現(xiàn)場(chǎng)，帶來(lái)他們的新作《Pre(N)atura》，一場(chǎng)由生成式人工智能和程序驅(qū)動(dòng)的實(shí)驗(yàn)性視聽(tīng)盛宴。這對(duì)藝術(shù)家組合曾以即興編程作品《AUTO{}Construccion》榮獲2023年Lumen Prize金獎(jiǎng)。上海紐約大學(xué)交互媒體藝術(shù)專業(yè)助理教授Bogna Konior也在大會(huì)上發(fā)表了題為“智能的黑暗森林理論”的主旨演講，對(duì)人類與智能機(jī)器之間不斷演變的關(guān)系提出了深刻見(jiàn)解。三天的活動(dòng)總計(jì)吸引了來(lái)自中國(guó)、美國(guó)、英國(guó)、德國(guó)、澳大利亞、印度、韓國(guó)等國(guó)的600多位參與者，并召集了來(lái)自全球10個(gè)城市的衛(wèi)星活動(dòng)同步舉辦。

圖：國(guó)際著名藝術(shù)家Ivan Abreu和CNDSD在上海紐約大學(xué)大禮堂開(kāi)幕式表演新作（MOT Studio）

圖：即興編程工作坊 by Cameron Alexander（MOT Studio）

特別值得一提的是，除了學(xué)術(shù)會(huì)議外，大會(huì)還在上海紐約大學(xué)、上海音樂(lè)廳、SYSTEM系統(tǒng)三大場(chǎng)地舉辦了三場(chǎng)公眾音樂(lè)會(huì)。27組國(guó)際跨界藝術(shù)家通過(guò)與中國(guó)觀眾的互動(dòng)，展開(kāi)了一場(chǎng)融合科技、藝術(shù)和文化的國(guó)際交流。

圖：澳大利亞籍埃塞俄比亞藝術(shù)家Fetle Wondimu Nega（Nū）帶來(lái)的融合即興編程和演唱的表演

6月1日，大會(huì)在充滿活力的文化聚集地SYSTEM以一場(chǎng)別具一格的Algorave音樂(lè)會(huì)落下帷幕。Algorave是一種在舞蹈背景下的現(xiàn)場(chǎng)編碼表演，匯聚了來(lái)自美國(guó)、英國(guó)、西班牙以及上海本土的背景各異的藝術(shù)家們。音樂(lè)會(huì)現(xiàn)場(chǎng)人潮如織，代碼與音視頻的混合投影在舞臺(tái)上絢爛綻放，一個(gè)充滿活力的數(shù)字藝術(shù)世界在觀眾眼前緩緩展開(kāi)。美國(guó)藝術(shù)家R Tyler以其獨(dú)特的代碼注釋向觀眾致以問(wèn)候，這一新穎的互動(dòng)方式引發(fā)了現(xiàn)場(chǎng)陣陣歡呼和掌聲。

圖：位于SYSTEM的算法銳舞表演現(xiàn)場(chǎng)

2024年國(guó)際即興編程大會(huì)不僅是一場(chǎng)前沿技術(shù)的展示，更是一次文化和藝術(shù)的交流盛會(huì)，它將上海這座城市推向了國(guó)際創(chuàng)新藝術(shù)的前沿，為全球觀眾帶來(lái)了前所未有的視聽(tīng)體驗(yàn)。

Shanghai Shines as Host for 2024 International Conference on Live Coding

Shanghai, May 31st — The 2024 International Conference on Live Coding(ICLC) public concert kicked off with flair at the Cadillac Shanghai Concert Hall, right in the heart of Shanghai. Among the eager crowd, hundreds of lucky attendees got their first taste of the avant-garde world of live coding.

As the lights dimmed, the stage transformed into a hub of innovation, devoid of traditional instruments or performers. Instead, several coders immersed in computer programming took center stage. Through intricately crafted code and cutting-edge technologies like generative artificial intelligence and modular synthesizers, they orchestrated a real-time spectacle for both the eyes and ears, delivering a fresh and exhilarating experience to the audience.

The highlight of the night was the live coded drum beats and synth stabs by South Korean artist Dahee Park. Writing the code of her performance from scratch in front of the audience, she showcased the international allure and innovative prowess of live coding, leaving the attendees in awe.

The preceding day saw the opening ceremony of the International Conference on Live Coding at the auditorium of New York University Shanghai, marking its inaugural landing in Asia. Live coding, a creative technique involving code modification during execution for real-time audiovisual feedback and audience interaction, has garnered a global community since its inception in 2003, exploring the fusion of performance art and interactive programming.

Since 2015, the International Conference on Live Coding has been held in various countries, dedicated to exploring the use of computer code as a live performance element, drawing experts from diverse fields worldwide.

Why Shanghai for this global event? Assistant Professors Eric Parren & Gottfried Haider from New York University Shanghai shared insights: "Shanghai is always a melting pot of technologies and ideas. We were curious to discover the state of live coding in China and neighboring countries. Introducing this novel art form to the vibrant local communities in Shanghai was another goal."

After meticulous planning, the conference organizers, alongside 65 professional international judges, curated over 30 conference sessions out of over 80 applications from 23 countries. These sessions, spanning keynote speeches, paper presentations, workshops, concerts, and an algorave. Among them, acclaimed Mexican artists Ivan Abreu and CNDSD traveled thousands of miles to present their new work Pre(N)atura in person, an experimental audio-visual feast driven by generative artificial intelligence and live coding. The artist duo was recently awarded the 2023 Lumen Prize Gold Medal for their live coding piece AUTO{}Construccion. Assistant Professor Bogna Konior from New York University Shanghai delivered a keynote speech titled "The Dark Forest Theory of Intelligence", offering unique insights into the evolving relationships between humans and intelligent machines.

The conference attracted more than 600 participants, across all its events, from China, the United States, the United Kingdom, Germany, Australia, India, South Korea, and beyond. Additionally, satellite events were organized in 10 cities globally.

Beyond academic discourse, the conference showcased the vibrant fusion of technology and culture through three public concerts across prominent venues. Twenty-seven international cross-disciplinary artists engaged with Chinese audiences, fostering an international exchange of technology, art, and culture.

The conference concluded on June 1st with a unique Algorave concert at the vibrant cultural hub SYSTEM. Artists from the United States, the United Kingdom, Spain, and Shanghai delivered highly danceable live coding performances, captivating the audience with a brilliant mixture of code and audiovisual projections. American artist R Tyler greeted the audience with humorous code annotations, an interactive approach that sparked cheers and applause.

The 2024 International Conference on Live Coding isn't just about showcasing cutting-edge technology. It’s a celebration of cultural and artistic exchange. By pushing the boundaries of innovation, it has thrust Shanghai into the international spotlight of pioneering art, offering an unprecedented audiovisual experience to audiences worldwide.

網(wǎng)址: 科技與藝術(shù)的碰撞：2024國(guó)際即興編程大會(huì) http://www.businessinterruptionsclaims.com/newsview108221.html

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